This is more important if you plan on doing any hand-held macro photography outdoors. Yes, you may need optical image stabilization for your macro photography. ![]() Do You Need Image Stabilisation for Macro Photography? Nobody wants to see their every pore in greater-than-HD clarity. Some photographers consider these lenses to be too sharp to create a pleasing image, and I can see their point. They offer fast focusing and high contrast – sometimes too much contrast. Many, (but not all) of the Macro lenses listed here focus sharply on infinity and many photographers consider them to be exceptional portrait lenses. Now, that kind of magnification combined with a high-resolution sensor will deliver results that are well worth the time and effort. However, the Canon MP-E 65mm f/2.8 1-5X Macro Lens (details below) has a magnification range of up to 5 times the actual size (5x or 5:1). Usually, getting a magnification greater than 2:1 (image formed on the focal plane is 2x actual size) would involve getting an extension ring set, or a teleconverter, or a bellows arrangement, and possibly using them together. It also means that you will have more space to work with artificial lighting. 5m away while still getting 1:1.īig deal, you may say – all I’ve got to do is take a couple of steps forwards, and it’s all the same with the cheaper 50mm lens… well, not really.Ī longer Minimum Focus Distance means that you get the same magnification without having to disturb the creature you’ve got that lens trained on… and that makes a big difference. The Nikon 200mm IF-ED Lens allows you to stand even further away –. While the 50mm macro will make you go really close to the subject, the Canon EF 180mm L lens allows you to stand far away (about 0.25m). The difference between these lenses is the minimum focusing distance, the depth of field, and the perspective which each focal length offers to the photographer. When you look into macro lenses, you’ll find that there are some prime lenses that give you 1:1 magnification at 50mm, while others will give you the same at 100mm or even 200mm. However, the most comfortable and versatile focal length for macro photography is probably the 100mm macro lens. Macro prime lenses are available from 24mm to 180mm. AdvertisementsĬheck out our Lens Suggestions at the end of the article The Best Focal Lengths for Macro Photography However, these are outside the scope of this article. You should know that there are other accessories (such as extension tubes and bellows attachments) available to the photographer that allow for magnifying a subject at 1:1 ratio. Since this series of posts is solely about lenses for various kinds of photography, we’ll deal only with lenses. Of course, this becomes much larger when viewed on a larger screen. For example, a 5mm disc when photographed, would produce an image on the camera sensor where the disc is 5mm in size. In more technical terms, macro photography involves capturing objects at close to, or greater than 1:1 magnification. Perhaps this is where our fascination for macro photography comes from, the ability to change our everyday, ordinary world into an extraordinary one by the simple act of switching lenses. When these images are enlarged – as all our pictures are – they become much larger than real life, taking us into a realm where real, everyday objects become surreal worlds. However, the images start off being close to actual size when rendered on the camera’s sensor (or frame of film). Macro Photography reproduces objects at larger-than-life sizes on print or screen.
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